Jul 26, 2014

July 25, 2014

100 x 80 inches, oil on linen

Jul 4, 2014

The 4th of July 2014

80 x 60 inches

oil on linen

More than a few years to finish

Jun 4, 2014

June 4th, 2014

36 x 48 inches, oil on linen

Jun 1, 2014

May 8, 2014

Cinco de Mayo 2014

Cinco de Mayo 2014
48 x 48 inches sq.
oil on linen

Mar 29, 2014

The Beginning of Spring 2014

Beginning of Spring 2014
oil on linen, 56 x 48 inches

Feb 4, 2014

Jan 7, 2014

January 14th 2014

 January 14th 2014
oil on linen 72 x 60 inches

Nov 11, 2013

The New American Seascape

November 10th, 2013
40 x 52 inches, oil on linen

Aug 23, 2013

Musgrove Plantation Marsh, Early Dawn

Musgrove Plantation Marsh 2013
St. Simons, GA  
Oil on linen, 48 x 48 inches

Apr 30, 2013

Pageviews by Countries

Pageviews by Countries

Graph of most popular countries among blog viewers
United States
United Kingdom

Apr 16, 2013

On exhibit at the William J. Nealon Federal Building and U.S. Courthouse, Scranton PA

Headwaters of the Susquehanna River 2007
90 x 160 inches, oil on linen

Dec 11, 2012

The New Landscape December 2012

Oil on linen, 50 x 70 inches

doubleclick on image to enlarge

Aug 26, 2012

Homage to Rothko

40 x 57 inches, oil on linen

Jul 31, 2012

The New American Landscape August 2012

Painting in progress

The New American Landscape August 2012

The final version, 80 x 115 inches, oil on linen 
Doubleclick on image to enlarge

Jul 30, 2012

On Inspiration

Dylan Thomas’ answer to the question, “Do you wait for a spontaneous impulse before writing a poem?”  was “No.  The writing of a poem is, to me, the physical and mental task of constructing a formally watertight compartment of words,” which sounds a lot different from seeking the muse of madness. Thomas was more in line with Charles Baudelaire, who defined “Inspiration” as, “Working everyday….”

Rilke’s remarks, originally made about Cezanne, “The further one goes, the more private, the more personal, the more singular an experience becomes, and the thing one is making is, finally, the necessary, irrepressible, and, as nearly as possible, definitive utterance of this singularity.”

Jul 18, 2012

July 18th 2012

The New American Landscape 2012
Oil on linen,  80 x 132 inches  
Doubleclick on image to expand

Feb 3, 2012

Winter Studies

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oil on panel, all are 8 inches square

Jan 29, 2012

Point Lobos State Park

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Photographing in the the park with an 8 x 10 view camera in 1964, the salt spray ruined both the gears on my camera and aluminum tripod. Visited Ansel Adams later that day, spectacular experience all around. Friend David Backus photographed me out on the rocks.

Dec 22, 2011

Dec 21, 2011

Robert Haynes

Flamenco 1968
Gum print, 5 x 7 inches

Dec 8, 2011

Early this morning

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“Nothing in this world can take the place of persistence. Talent will not; nothing is more common than unsuccessful people with talent. Genius will not; unrewarded genius is almost a proverb. Education will not; the world is full of educated derelicts. Persistence and determination alone are omnipotent. The slogan "press on" has solved and always will solve the problems of the human race.”
Johann Wolfgang von Geothe

Someone, I think Philip Guston, said that, if you’re an artist, every artist you’ve ever admired follows you into the studio. One by one, they leave. Finally you leave, too, and the work gets done.

A quote from artist Chuck Close,
"Inspiration is for amateurs, the rest of us just show up and get to work."

Dec 6, 2011

Traveling to San Francisco 2005

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Exhibition at Bonnafant Gallery  

Nov 28, 2011

Winter Landscape 2009

Oil on linen, 50 x 70 inches

Nov 26, 2011

Nov 24, 2011


Posted by Picasapastel on paper, 18 x 18 inches

Nov 23, 2011

After Edward Weston

Posted by Picasalinocut  22 x 31 inches
edition of 30

Evening Sky 2010

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Oil on linen, 30 x 40 inches